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Noelle Holly's avatar

I just came here after watching your video The Absolute Degeneracy of Modern Writing. You made such fantastic points and were so fun to watch. Your pauses and reactions to some of the points you were making matched my thoughts and I share your sentiment about the subject. I am happy to have found a fellow writer that would like to restore integrity literature. A strong story does not require the word starting with p and ending with n. 😊

Thomas Grassia's avatar

You've mentioned Chesterton, so I am here.

DeeKay Reader of stuffs.'s avatar

Here for my share of Enlo Cakes and intrigue! Thank you for sharing your story.

Mary Thornell's avatar

Your video of how fanfiction has destroyed writing showed up in my YouTube feed and I was delighted by what you had to say. While I have indulged in fanfiction myself in the past, I could never get completely into it. It seemed the more prurient and bizarre the struggle sessions were in the stories, the more popular they were and I just wanted to enjoy the character/world. Anyway, I am working on a novel myself so the fact that someone has so intelligently and humorously put into words what has been going through my mind has inspired me!

Bill Hunter's avatar

I watch your videos and they always make me think deeper about writing. Thank you for that.

S L Chalmers's avatar

Your YouTube discussions are exemplary.

I find it not only refreshing but hopeful to find someone of your age that comprehends literary intent rather than extolling novels following the socio-political "feelings" of the moment.

The great literary work of Cervantes, Shakespeare, Lawrence Sterne, Dostoevsky, or the 20th century brilliance of The Great Gatsby, 1984, Lolita, Catch 22, Slaughter House Five, have been diminished in favor of current, fleeting group-think for the social issue of the moment as a novel.

Please continue your educational crusade to save ignorant readers from themselves!

Beppe Roncari's avatar

Thanks for your enjoyable and reliable videos on writing stories.

The Wandering Quill's avatar

I’ve watched videos of yours but was pleasantly surprised to find you on Substack.

PAL's avatar

Hello Hilary, I have watched some of your videos on YouTube and very much like your depth of analysis and sense of humour. Qurstion: do you do book editor work? If so and have time for a new assignment, please contact me at Patricklynch700@gmail.com

Elijah Meert's avatar

I want to read your book but I can only see later chapters

Elijah Meert's avatar

Thanks I look forward to checking it out.

Thinkinghardorhardlythinking's avatar

I came from your youtube channel. it's nice to hear a female voice saying no to porn in women's lit. I had kinda given up without realizing, and only had a couple authors left that I liked but the way you talk is giving me hope. I stopped writing when I felt pressured to add certain scenes, as I don't prefer to. I honestly don't think I'm the only one.

Josie Lewis's avatar

I'm a somewhat aspiring writer. I really can't stand fan fics at all, and as a result it has discouraged me from finishing three stories I want to expand into novels. Three different genres. One of the sources of my frustration is the lack of good writing communities. I was in one for 2 years on Discord and now that I'm locked out of my own user account for some reason, I can't seem to find a place to learn and get feedback from. Do you have any pointers?

Kevin Porter's avatar

Hi Hilary,

I've only just encountered your YouTube channel and I am impressed and will be listening carefully to your literary analyses and opinions.

I watched your video entitled ""The Absolute Degeneracy of Modern Writing"

And woah! You name check Paul Auster and cite "Travels in a Scriptorium"? That's taking that passage way, way, way out of context. You choose to represent that scene as though it were salacious or prurient? And pick out Auster for an example? Absolutely not, Auster’s novels might be described as metafictional humanism. He isn’t interested in eroticism, sex or chasing sales. In his fiction Auster explores identity, the ethics of storytelling, and often his stories enfold the creation of fiction into the plot line itself. Auster is closer to Beckett than to Fifty Shades of Grey.

I'll have a good ponder over the various points and arguments that you make in the video (they were very interesting and insightful) and comment on them when I have had a reasonable time to understand them properly! But as you'd singled out Paul Auster for criticism (one of my many favourite authors) I had to respond to that immediately - you touched a nerve there!

I've dedicated 2025 to reading women authors only (often in translation, and mostly contemporary, because my interest in reading leans toward learning about other cultures - I'm a 69 year old, white, male, straight, Brit from Wolverhampton, now living in Darlington) and, during my reading year, I have encountered plenty of differing critiques of patriarchy and the burdens and guilt that society lays upon women as opposed to men. I suppose I am fairly untypical in not reading for "story" as such, or really even for "entertainment", but to be informed, to have my mind and awareness of the world expanded, my prejudices and beliefs challenged. I read in order to think. Anyway, here's the list of books I've read this year if you are interested (I am currently reading the first four):

Time of the Flies by Claudia Pineiro

A Manual for Cleaning Women by Lucia Berlin

Twelve Moons by Caro Giles

Breasts and Eggs by Mieko Kawakami

---

Clear by Nicola Barker

Little Eyes by Samanta Schweblin

Misinterpretation by Ledia Xhoga

Minor Detail by Adania Shibli

Die, My Love by Ariana Harwicz

Autocracy, Inc. by Anne Applebaum

The Children of the Dead (dnf) by Elfriede Jelinek

Elmet by Fiona Mozley

Nesting by Roisin O'Donnell

I am Homeless if this is not my Home by Lorrie Moore

Ultramarine by Mariette Navarro

The Voyage of the Narwhal by Andrea Barrett

Revenge by Yoko Ogawa

Mrs Dalloway by Virginia Woolf

We Do Not Part by Han Kang

In the Ditch by Buchi Emecheta

Heart Lamp by Banu Mushtaq

Parade by Rachel Cusk

Frankenstein: or the Modern Prometheus by Mary Shelley

The Wall by Marlen Houshofer

I Who Have Never Known Men by Jacqueline Harpman

On the Edges of Vision by Helen McClory

Vista Chinesa by Tatiana Salem Levy

Things We Say in the Dark by Kirsty Logan

The Book of Disappearance by Iptisam Azem

Earthlings by Sayaka Murata

Under The Eye of the Big Bird by Hiromi Kawakami

Where I End by Sophie White

Homesick for Another World by Ottessa Mossfegh

Hot Milk by Deborah Levy

I Hold a Wolf by the Ears by Laura Van der Berg

The Empusium by Olga Tokarczuk

Her Body and Other Parties by Carmen Maria Machado

What I'd Rather Not Think About by Jente Posthuma

A Sunny Place for Shady People by Mariana Enriquez

By Grand Central Station I Sat Down and Wept by Elizabeth Smart

Sex is not ignored in these works, but I can't say I ever marked it as salacious or included for commercial purposes, even in instances where sexual acts are described explicitly. I know you are focusing on what I would call "massfic" (populist, fiercely-marketed, undemanding fiction aimed at the casual or light reader) rather than what I would term "highfic", but I do rail at your implicit suggestion that the literary canon has been "getting away" with sexual content as a means of boosting sales or indulging in approval of patriarchal dominance of men over women.

Happy Reading to you, Kevin,

Jhaerlyn's avatar

Hi Hilary :) I wanted to share a recent fun read you might like and I'd love to hear your take on: Orconomics by J. Zachary Pike Mind you, I'm only in Chapter 1, but I like the clever way the author has played with the whole fantasy genre.