Spring comes weary over the crest of the world, carries with him a dew-drenched morning smelling of tree resin and mint, while behind him trails fog like a cloak blurring the seam of the horizon. He comes bristled with pieces of an enemy, wearing more of him than he does of himself. I know what night tastes like, he whispers in the thick air, his skin redolent of war. In the ruby redness of dawn he returns, he whose death wounds are crystallized by survival, made deeper, made to heal and then, cruelly, bloom. What battle? I ask. What war? What price was paid? Then comes the victorious resurrection of day, raised from a grave hollowed by river water, breathless and gleaming, wet with life. The morning is quiet, save for the birds who sing a symphony of waking. It is cold, save for the concentrated heat in the red blades of sunlight which slice fire across my lap, garnet hollows in my unrest. Here in the perforated shade, waiting for the safety of summer to unbutton my coat, I wonder at the supernal taste of that receding world, Night. Spring’s voice hums through me: It tastes like river water and moss. Like smoke from a forest fire. It tastes like stars and blood... Creation, I say. Night tastes like creation.
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i love this portrayal of spring as something violent or foreboding (creation can be violent, transformation too). i love poems of spring, but this one takes on a new essence. it’s not all joyful.